Friday, September 28, 2012

Olympia Fall Arts Walk
October fifth, 5:- 10:pm  October sixth, 12 noon to 5:pm

chris maynard, feather art - peacockYoga Loft is a large, beautifully sparse space.  I am excited to show about feather shadowboxes there, more than I have ever hung at once. They go up Sunday night, October 1st.  Prints of my work will also be available for purchase.  See you there!

219 Legion Way--Near Capital Lake




Monday, September 10, 2012


The Birds in Art show in Wausau Wisconsin was spectacular, go if you can.  That town treats artists well and attracts talented and devoted artists who paint, sculpt, and in other ways visually honor birds. As you might imagine, people were interested in my work because they had never seen feathers used in the way I do.  I in turn, met many excellent artists and have new ideas for pieces that I can’t wait to begin. Robert Bateman is a Canadian artist who paints the natural world. He is starting an environmental education center in Victoria B.C. with a gallery that I hope to exhibit in one day—if I can successfully negotiate the legalities of importing and exporting the feathers contained in my works. 

Monday, August 27, 2012


I just returned from a week long artist business boot-camp in Port Townsend.  The program is called ‘EDGE Professional Development’ sponsored by Washington Artist’s Trust.  Fifteen of us were selected from around the state but only three of us were men.  I felt right at home having been far outnumbered by a lot of sisters. One benefit of this boot camp is to have the opportunity to collaborate on joint shows with some of these artists as well as work together creating artworks with feathers and other mediums.  For instance, Kara McGhee paints realistic birds sometimes using interesting lighting effects so a joint show makes sense.  Laurie Fronek 'draws' in 3-d wire sculpture and there may be an opportunity to collaborate on a 'wire-feather' piece.

Artist Trust offers support to artists in many ways: grants, professional development, opportunities like shows, connection with other artists, and fellowships and grants.  And not just visual artists like me but writers and performing artists.

Sunday, August 12, 2012

Swallows in Flight #1


I love watching the barn swallows fly and will be sad when they leave in September.  I made this piece in their honor.  They make their home in my barn and I get to watch their young grow up although a local Merlin falcon has been having its way with a few.  The feathers in this piece are from the wing of a Lilac Breasted Roller.

The strikingly colored Lilac Breasted Rollers live in Sub-Sahara Africa.  Their form is close to barn swallows in silhouette—with the forked tail.   I started out drawing silhouettes of the Lilac Breasted Rollers in flight but ended up with swallow shapes since I am closer to these birds.  In the piece, I wanted to highlight the blues of the sky from where the swallows swoop, eat, socialize, catch airborne feathers for their nests, mate, drink from my sprinkler, and frolic.   The small size of the feathers and hence the cutouts was a challenge.

Monday, July 30, 2012

Birds in Art



A piece of mine was accepted in the 2012 Birds in Art show, put on by the Leigh Yawley Woodson Art Museum in Wisconsin.  Each year they put out a nice full color catalog with accepted artists’ works from all over the world.  An Olympia artist, Judy Smith gave me several of the previous year’s catalogs  where I gleaned several ideas for new pieces, one of which I pursued.  One piece that gave me the idea for a new piece was a sculpture by John Richen titled Symphonic Flight. It is bronze and stainless steel and sort of looks like two feathers but one looks more like a bird in flight with some wind added.  It set me to thinking.  Just the shape of a flight feather suggests movement.  Since I strive to honor the qualities of the feathers I work with, I used a pair of matching flight feathers set as dual images and kept one uncut, whole.  The other I subtracted bits and pieces and ended up with the feathers shape but with a lot of connected bird shapes in flight. This may be the beginning of a series.  

Monday, July 16, 2012

Many Eagle Feathers


eagle flight feathers

In just one mile on a remote Washington beach laid all these and more eagle feathers.  They were sitting on the sand and mixed in the drift at the high tide mark.  After being arranged in a circle, the tide redistributed them up and down the beach where they now lie.

Curiously, almost all of these feathers were from the tips of the wings, the primaries.  These birds more or less shed only two matching feathers at a time, one from each side.  Most small birds start their molt in the middle of the wing and proceed outward over a few months until growth is complete.  Larger birds like the eagle may take several years since it is harder for them to fly with even one feather shed from each wing.  I wonder where all these feathers came from since I only saw about half a dozen eagles all day.

Sunday, July 1, 2012

Warm Feathers


Growing Goose Feathers are warm

My geese are molting their feathers.  Unlike most birds, geese and other kinds of waterfowl shed their feathers all at once.  So now, the goose feathers are strewn all around my field. Sometimes my geese get out which is where they were when I got home this afternoon. As I herded them back into the field, I caught one to see how its feathers were growing back in.  When I grabbed the bird, it felt warm as they always do since their temperature is 6 or 7 degrees warmer than ours.  What surprised me was that the growing feathers were just as warm.  

I had never felt warm feathers.  But it isn’t really so surprising when you know that the growing feathers are heavily supplied by blood.  So much that if I cut the bigger goose feathers off at the shaft, the bird could bleed to death.  So this is a time of their lives that try to treat themselves more gently until the feathers are fully grown.